2010 03 09
growing
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growing
individual projects
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THE LAB

Open residency project
Ocular Lab
West Brunswick
WEEK THREE


NOTES.



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Riding week two’s collected toilet and organic material back to the compost site on Thea’s bike as honey-wagon. Weeding the overgrown house garden and feeding it to the heap, enjoying time in the sun and air outside in this grassy meadow.
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THE LAB

Open residency project
Ocular Lab
West Brunswick
WEEK TWO


NOTES.


|
Clover seeds pushing up through soil and sprouting.

|
The red rose Bianca brought on my first day, opening and changing.
dialogue
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THE LAB

Open residency project
Ocular Lab
West Brunswick
WEEK ONE


NOTES.

|
For the first week it felt right to observe things as they were in the Lab. The given conditions, the objects in the room when I arrived - a plinth, a ladder, a trestle table, an amplifier and some foam - and the movement of light and air into and through the space. It was surprising how much was going on in and at the edges of an empty room. I felt no need to remove the objects, figuring I’d wait to see who had left them and what they might be useful for. For the first few days I was strongly mindful of the practices of Thea Rechner and John Borley, as I paid attention to air and light and sat on the front step with the doors open making eye contact with passing drivers.
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THE LAB
For the month of October Lisa Kelly will be developing an open residency project at Ocular Lab, Brunswick West, Melbourne. Less an exhibition than a set of actions, processes, reading and renewal, THE LAB will draw on the Lab’s past use as a private artists studio and observe its shift to a public gallery. Combining the dual purposes of work and presentation space while being attentive to the specific conditions of the site, Kelly will engage in simple process cycles that annex the basic functions of a public venue. Areas of exploration will include onsite waste, streetfront visibility and natural lighting.
This project for Ocular Lab continues the artist’s practice of using critical frameworks to investigate the institutions her work is hosted by. In 2008 her project THE__HALL explored the re-purposing of a community hall into an art gallery by a local council.
Ocular Lab
31 Pearson Street
Brunswick West
VIC
Open & in progress:
Wednesday to Sunday 1pm-5pm
10th October to 1st November.
Closing gathering:
Saturday 31st October 3-5pm
individual projects
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week one.

week two.

week three.

week four.

week five.

week six.

week seven.

week eight.

week nine.

week ten.
Wild Sown Understorey
Seeding action, project document & climate almanac.
February-April 2009
wBST
West Brunswick Sculpture Triennial
curated by OSW
March-April 2009
Melbourne, Australia

download wBST poster pdf [48KB]
Wild Sown Understorey is a seeding action for the front yard of 135 Union St, West Brunswick. In February green manure crop seeds were cast, and the grass left to grow until the close of the wBST. The potential for a shaggy transformation of suburban ground will lay dormant or flourish according to rainfall, becoming a simultaneous ten-week weather index. Using the methods of natural farmer Masanobu Fukuoka, the project plays out between disturbance to a lawn-scape, land remediation and productivity, the absence of wildness, probable failure and climate change.
Project document & climate almanac.
A6-ish ha-ha foldout with weeks one-ten card series
single colour printing in brown, blue and teal
printed with love on The Rizzeria
edition of 100
copies available ~ contact l kell 88 [at] gmail dot com
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week 3.
2.
Field
Work
Lisa Kelly
Dennis Tan
4th - 18th October 2008
open & in progress wed-sun 11-5pm
opening event: Friday 3rd October 6-8pm
closing event: Saturday 18th October 2pm til sunset
Chrissie Cotter Gallery
[rear of Camperdown Bowling Club]
Pidcock St Camperdown NSW 2050

images from top.
1. Lisa Kelly ‘No Street Tree’ 2008
Plane tree, jute strap, timber, linen thread, hardware.
Dennis Tan ‘Working title: Private space on constructed space on institutional space’ 2008
found recycled timber from CarriageWorks and ICAN, roofing spans, nails.
2. ‘No Street Tree’ 2008
detail
3. ‘Tree Prop (circle)’ 2008
Inkjet print on heat transfer, Belgian linen, Sydney sand, bias binding, jute strap, thread.
4. ‘Ashtray - - Planter’ 2008
Breeze block, Sydney sand, soil, rubbish plant, cigarette butts, rubber, tape, hardware.
(first butt, opening night)
5. ‘Ashtray - - Planter’ 2008
detail
thumbnails - ‘The Lively Plane’ peopled and planting.
1. The Lively Plane
Dennis Tan & Lisa Kelly
I C A N
15 february - march 2 2008
Sydney
room diagram [28kb] & list of works [24kb]
In 2007 Lisa Kelly undertook an Asialink residency in Singapore and met artist Dennis Tan ~ founder and housekeeper of the independent artist space The Other House in Little India. There they grew the makings of a cooperative dialogue grounded in a mutuality of interests and attitude around practice, hosting, talking, walking and urban observation.
The joint project ‘1.The Lively Plane’ at the Institute for Contemporary Art, Newtown saw a city swap and cultivation of this dialogue via Tan’s one month visit to Sydney. The exhibition roamed around the artists’ material thinking on the constructed environment, relations, building, propping, sculpture, drawing, streetscape and locality.
- - - - - - - - - - - -
‘Inside a small room with white walls and polished timber floors, a plane tree sprouts snug and unassuming from one corner of a raised wooden platform, its top leaves flattened awkwardly against an indifferent ceiling. Also on the platform is a woven mat, a ‘domestic space differentiated from the wilderness’ (1), placed neatly under the shade one imagines might be cast if this tableau were not in fact indoors. The titles of these works (for they are, as it turns out, discrete works by two separate artists), No Street Tree and Working title: Private space on constructed space on Institutional space, suggest two things that lie at the heart of the objects and actions unfolding from this exhibition: the multi-layered and contingent nature of urban space, and the artistic processes used in interrogating and intervening in that space…’
~ read Working Title: Conversations on a Lively Doorstep by Tessa Rapaport at Makeshift Journal







Attention seekers__________drawings with invisible objects
open studio
thursday 16th august
Asialink visual artist in residence
june-august 2007
p-10
Singapore
download room notes as pdf [44KB]