STUDIONONSTOP

‘There were projects which were not possible because of economic, time, space and technical problems. Some forgotten project will come back to mind when it is needed. I contain my projects in my body, which I find as my studio, and I don’t try to remember or describe them all.

My working process is intuitive and I believe its own logic. Being nothing/nothingness and making nothing/nothingness is my goal. It is a long process.’

– Kimsooja

from:

The Studio Reader: On the Space of Artists
edited by Mary Anne Jacob & Michelle Grabner
University of Chicago Press, 2010.

* * *
Needless to say, Studiononstop has stopped. In 2010 my studio building in Surry Hills was renovated and the rent tripled. I could no longer afford a studio in Sydney. That year I took a year off art anyway, and these days I do other things.

I post occasionally at In the life world and currently on Cutting Edge Permaculture.

THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK FOUR

NOTES.

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Adding the post-dinner loo bucket full of wet sawdust and wee to the growing heap. Seeing my regular route through the weeds now visible as a pathway at the compost site. Replacing the toilet bucket, topping up sawdust and cleaning the loo.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK THREE

NOTES.

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Riding week two’s collected toilet and organic material back to the compost site on Thea’s bike as honey-wagon. Weeding the overgrown house garden and feeding it to the heap, enjoying time in the sun and air outside in this grassy meadow.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK TWO

NOTES.

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Clover seeds pushing up through soil and sprouting.

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The red rose Bianca brought on my first day, opening and changing.

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THE LAB

Open residency project
Ocular Lab
West Brunswick

WEEK ONE

NOTES.

|
For the first week it felt right to observe things as they were in the Lab. The given conditions, the objects in the room when I arrived – a plinth, a ladder, a trestle table, an amplifier and some foam – and the movement of light and air into and through the space. It was surprising how much was going on in and at the edges of an empty room. I felt no need to remove the objects, figuring I’d wait to see who had left them and what they might be useful for. For the first few days I was strongly mindful of the practices of Thea Rechner and John Borley, as I paid attention to air and light and sat on the front step with the doors open making eye contact with passing drivers.

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THE LAB

For the month of October Lisa Kelly will be developing an open residency project at Ocular Lab, Brunswick West, Melbourne. Less an exhibition than a set of actions, processes, reading and renewal, THE LAB will draw on the Lab’s past use as a private artists studio and observe its shift to a public gallery. Combining the dual purposes of work and presentation space while being attentive to the specific conditions of the site, Kelly will engage in simple process cycles that annex the basic functions of a public venue. Areas of exploration will include onsite waste, streetfront visibility and natural lighting.

This project for Ocular Lab continues the artist’s practice of using critical frameworks to investigate the institutions her work is hosted by. In 2008 her project THE__HALL explored the re-purposing of a community hall into an art gallery by a local council.

Ocular Lab
31 Pearson Street
Brunswick West
VIC

Open & in progress:
Wednesday to Sunday 1pm-5pm
10th October to 1st November.

Closing gathering:
Saturday 31st October 3-5pm

 
 
 
 
 

 

The Lively Plane (continued).

February 2008 – June 2009
growing and ongoing
and part of:

There Goes the Neighbourhood

curated by Zanny Begg & Keg de Souza
The Performance Space
May-June 2009
Sydney

By June 2009 «The Lively Plane (continued)» will have played out along the leafy length of Wilson Street – plus inner-west & city sidelines – over two summers, two autumns, a winter and a spring. In February 2008 I used a commercially farmed London Plane tree (Platanus x acerifolia) in a work for the exhibition «1.The Lively Plane» at the Institute for Contemporary Art Newtown (ICAN) at 191 Wilson St.

Then and now, my interest is in the strong opinion and emotion that attends plane trees. They are both the most commonly planted street tree in Sydney, other Australian capitals and many world cities, and the most widely disliked for the profuse, fine, allergy-provoking bristles that aid seed dispersal from the flower-heads. They are the trees that everyone hates. While favoured for their tolerance of contemporary urban conditions – bad air, poor light, compacted soil and little water – their detractors are many, from talkback radio callers to prominent Australian scientist Tim Flannery. Flannery has often argued against the planting of London planes in Sydney streets, as both a persistent mimicry of European cities and a failure to explore alternatives from our ample native species that would better foster insect life and biodiversity, which plane trees notably do not. Continue Reading »

Winter sun. Surry Hills 08.

studiononstop 1997-2007

1. British School at Rome, 2000
2. Camperdown, Sydney 1997-2006
3. Viafarini, Milano 2002
4. Stonevilla, Sydney (with Jo Daniell) 2006
5. Artspace, Sydney 2006
6. p-10, Singapore 2007
7. Redfern, Sydney 2006-2007

Attention seekers__________drawings with invisible objects

open studio
thursday 16th august

Asialink visual artist in residence
june-august 2007

p-10
Singapore

download room notes as pdf [44KB]